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17.33 Samuel Beckett: Textual Genesis and ReceptionEdited by: Ondřej Pilný and Louis Armand Volume: 17 Issue: 33 July 2007 |
Contents
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Ondřej Pilný
"Whenever Said Said Said Missaid": Introduction
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3 |
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Mark Nixon
Solitude(s) and Creative Fidgets: Beckett Reading Rainer Maria Rilke
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6 |
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Dirk Van Hulle
"And Here a Word He Could Not Catch": Towards a Genetic Edition of Beckett's Last Texts
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19 |
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Colin Duckworth
En attendant Godot: Notes on the Manuscript
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31 |
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Louis Armand
Beckett / Film
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51 |
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S. E. Gontarski
Beckett Through the Keyhole: Voyeurism, the Scopophilic Drive, and the Appeal of Theatre
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63 |
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Michel Delville
Muddy Mouth: Beckett's Poetics of Taste-lessness
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73 |
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Review of
Lilian Chambers
The Theatre of Martin McDonagh: A World of Savage Stories
Dublin: Carysfort Press, 2006. 443 pp.
→ Clare Wallace, A World of Savage Stories |
86 |
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Review of
Donald E. Morse
,
Csilla Bertha
,
Mária Kurdi
Brian Friel’s Dramatic Artistry. “The Work Has Value.”
Dublin: Carysfort Press, 2006. 354 pp.
→ Michał Lachman, Friel's Dramatic Artistry Goes International |
89 |
